Michael Tremante began his film-scoring career working with Academy Award-winning composer Howard Shore. Michael’s credits with Mr. Shore include  Associate Music Producer on Peter Jackson’s The Lord of the Rings: The  Fellowship of the Ring (2001), which won the Academy Award for Best Original Score and won a Grammy for Best Score Soundtrack Album.


During his three-year tenure with Mr. Shore, Michael also worked as Music Co-Producer on David Fincher’s Panic Room (2002) and David Cronenberg’s Spider (2002) and assisted on Frank Oz’s The Score (2001), Tarsem’s The Cell (2000), James Gray’s The Yards (2000) and Arnaud Desplechin’s Esther Kahn (2000). As a producer, Michael has had the opportunity to record with orchestras around the world, including the London Philharmonic Orchestra, the New Zealand Symphony Orchestra as well as top session orchestras in Paris, New York and Los Angeles.


Since 2003, Michael has focused primarily on his work as a composer. His most recent scores include Maxim Kovalsky’s Mere Formality (2003), Andre Sala’s Madison Rye (2003), Angelo Guglielmo’s The Heart of Steel (2003), Carl T. Evans’ Walking on the Sky (2005), Dan Elortegui’s Billy and the Kid (2004) and Dave Gebroe’s Zombie Honeymoon (2004), which had it’s world premiere at the Hampton’s International Film Festival in October, 2004 and was featured in competition at the Slamdance Film Festival in January, 2005.


Michael’s most recent scoring projects include Joseph Singer’s What Profit a Man (2005) and Derek Sieg’s Hard Attack (2005).


Michael’s educational background includes a Bachelor’s Degree in Computer Science from Union College and a Master’s Degree in Music Performance from the Aaron Copland School of Music at Queens College.


MICHAEL TREMANTE

Composer

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